2012
Mares and Parakeets
Natalia Garagiola
Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.
2012
Mares and Parakeets
Natalia Garagiola
Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.
2012
Mares and Parakeets
Natalia Garagiola
Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.
2012
Mares and Parakeets
Natalia Garagiola
Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.
2012
Mares and Parakeets
Natalia Garagiola
Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.
Technical Sheet
2012, 30 min, DCP-2K, Color, 1:1.85, 5.1
Argentina
Festival de Cannes – Critics' Week (2012)
Screenplay & Direction – Natalia Garagiola
Production – Rei Cine, PBK Cine, Silverfox, Universidad del Cine
Associate Producer – EYDOS, Robot Rojo
Producer – Gonzalo Tobal, Benjamin Domenech, Santiago Gallelli, Matías Roveda
Associate Producer – Silvia Mascardi
Cast – Julia Martínez Rubio, Guillermina Pico, Pilar Benítez Vibart
Cinematography – Fernando Lockett
Production Design – Lucía Carnicero
Costume Design – Lucía Manzano
Editing – Gonzalo Tobal
Sound Design – Rufino Basavilbaso, Manuel De Andrés
A.D. – Alejo Magariños
Premieres
Cannes Film Festival – Semaine de la Critique (Francia, 2012)