Mariana (40) is a Chilean upper-class woman trapped in the role her father and husband have created for her. She finds solace in the arms of the most disreputable character: Juan (65), a riding instructor and a former colonel with a shady past.
Mariana (40) is a Chilean upper-class woman trapped in the role her father and husband have created for her. She finds solace in the arms of the most disreputable character: Juan (65), a riding instructor and a former colonel with a shady past.
Mariana (40) is a Chilean upper-class woman trapped in the role her father and husband have created for her. She finds solace in the arms of the most disreputable character: Juan (65), a riding instructor and a former colonel with a shady past.
Mariana (40) is a Chilean upper-class woman trapped in the role her father and husband have created for her. She finds solace in the arms of the most disreputable character: Juan (65), a riding instructor and a former colonel with a shady past.
Mariana (40) is a Chilean upper-class woman trapped in the role her father and husband have created for her. She finds solace in the arms of the most disreputable character: Juan (65), a riding instructor and a former colonel with a shady past.
Mariana (40) is a Chilean upper-class woman trapped in the role her father and husband have created for her. She finds solace in the arms of the most disreputable character: Juan (65), a riding instructor and a former colonel with a shady past.
2017, 100 min, DCP/2.5K, Color.
Chile, France, Argentina, Germany, Portugal.
Cast - Antonia Zegers, Alfredo Castro, Rafael Spregelburd, Alfredo Sieveking, Juana Viale, Elvis Fuentes
Screenplay & Direction – Marcela Said
Production – Jirafa, Cinéma Defacto
Co-production – Rei Cine, Augenschein Filmproduktion, Terra Treme Filmes
Producer – Augusto Matte, Sophie Erbs, Tom Dercourt
Co-producer – Benjamin Domenech, Santiago Gallelli, Matías Roveda, Jonas Katzsenstein, Maximilian Leo, Joao Matos
Festival de Cannes – Critics' Week (France, 2017)